tera zikr hai

I feel that pure genius takes SOME time to be noticed and sometimes it is too long that the person dies unnoticed.  Real genius is so engrossed in their works that they do not get time to engage themselves in some lime light. Conclusion – most of the famous people are really not most talented people in their respective fields.  The celebrities are the people who devote enough time to get noticed by various means beside their works.

Same is  true for really good piece of any art work.  This song is one of the example,  unfortunately I missed this movie; I heard a lot about Guzaarish but could not watch it. Being a music lover I keeps my ears open to song anywhere I go, be it bus, car, train, bazaar, street, mall or any other place but I never heard this song anywhere. Ultimately  I stumbled upon this song on internet  …
I am not saying  that this song is   phenomenal  but is far better than many contemporary songs that floated  too high in the air.
It’s a creation of A. M. Turaz a new song writer.  The very first line – TERA ZIKR  AHI YA ITRA HAI
JAB JAB KARTA HOON MAHAKTA HOON……
is  LA-JWAAAAAB.
The  lyric is too simple in words but too deep in feelings.  The music is brilliant and goes with lyrics.  This is a debut music composition by Sanjay Leela Bhansali.
Last thing—
OMG! This song  transported me into past in the when I was mad in love with someone whom I called peace of mind but at the same time she was the reason of chaos in the heart.
    I felt the same way - tera zikr hai…
Enjoy the song…
Ke tera zikr hai
Ya itr hai
Jab jab karta hoon
Mehekta hoon
Behekta hoon
Chehekta hoon
Oo ke tera, tera, tera zikr hai
Ya, itr hai
Jab jab karta hoon
Mehekta hoon
Behekta hoon
Chehekta hoon

Sholon ki tarah
Khusbuyon mein dehekta hoon
Behekta hoon
Mehekta hoon
Ke tera zikr hai
Ya itr hai
Jab jab karta hoon
Mehekta hoon
Behekta hoon
Chehekta hoon

(tera zikr hai
Ya itr hai
Jab jab karta hoon
Mehekta hoon
Behekta hoon
Chehekta hoon)

Teri fikr hai
Ya fakr hai
Teri fikr hai
Ya fakr hai
Jab jab karta hoon
Machalta hoon
Uchalta hoon
Fisalta hoon
Paagal ki tarah
Mastiyon mein
Tehelta hoon
Uchalta hoon
Fisalta hoon
Ke tera zikr hai (haan zikr hai)
Ya itr hai (itr hai)
Jab jab karta hoon
Mehekta hoon
Behekta hoon
Chehekta hoon

Miles to go before I sleep

I need not to say much as song itself says too much.

 Lyric by Indivar is thought provoking, singing by Manna Dey is class and music by kalyan ji anand ji goes deep with voice and lyrics.

नदियाँ चले, चले रे धारा, चंदा चले, चले रे तारा

तुझ को चलना होगा, तुझ को चलना होगा

जीवन कही भी ठहरता नहीं हैं

आँधी से, तूफां से डरता नहीं हैं

तू ना चलेगा तो चले तेरी राहें

मंज़िल को तरसेगी तेरी निगाहें

तुझ को चलना होगा


पार हुआ वो रहा जो सफ़र में

जो भी रुका, घिर गया वो भंवर में

नाव तो क्या, बह जाये किनारा

बड़ी ही तेज समय की हैं धारा

तुझ को चलना होगा

Ye dil aur unki ngahon ke saye

It is said that whenever Taansen (one of the Navratna in
AkbarDurbar)  sang “Raag Malhaar” it was
followed by Rain and whenever he sang “Raag Deepak” , it caused  diyas lit. It is exaggeration but reality is
that his music generated feeling of Rain and  light. Today bringing same kind of music that
may make you like you are wandering in valleys filled with romance and freedom
in mind. The lyrics- remarkable for imagination and poetic symbolism by jaan nishar akhtar AND
Lata’s  golden voice make the song
perfect melody but musician jaidev deserves the most appericiation.

Think over the line

 Ye dil aur unki
ngahon ke saye – aftereffect of your gaze on my heart.

ये दिल और उन की निगाहों के साये
मुझे घेर लेते हैं बाहों के साये

पहाड़ों को चंचल किरण चूमती हैं
हवा हर नदी का बदन चूमती हैं
यहा से वहा तक, हैं चाहों के साये

लिपटते ये पेड़ों से बादल घनेरे
ये पल पल उजाले, ये पल पल अंधेरे
बहोत ठंडे ठंडे, हैं राहों के साये

धड़कते हैं दिल कितनी आज़ादीयों से
बहोत मिलते जुलते हैं इन वादियों से
मोहब्बत की रंगीन पनाहों के साये

illahi mera ji aye

The song from the
movie Yeh Jawaani Hai Deewani -illahi mera ji aye-

Struck my mind by
its brilliant lyrics by none other but Amitabh , I am talking about- Amitabh
Bhattacharya, music is just a swing and my favorite Mohit Chauhan is there to
give required tempo to the song . Do not forget t listen -  Da da dan dan
dung dung dang...in interlude. Song  is so beautiful that it prompt me to write it
on the paper in devanagiri(I mean hindi script). My Fav. line is –

 kal pe sawaal hai? jina filhaal hai ! (Future
is doubtful, live now)

live in the present

life is always in transition, the time gives no time to stay in present, most of the time , we either think about future or become nostalgic about past. Becoming nostalgic is still a logical thing but   dreaming future is a illogical necessity, otherwise it is very hard to live in a narrow band of present.It seems past and future expand our existence.

 But  actual living is; living in present. No future , no past is comparable with present. Its a gift in hand, past and future are only in mind.  no other song matches this in reminding this.
AAGEY BHI JANEY NA TU... from WAQT IN A mesmerising voice of ASHA..., time less   L lYRICS BY SAHIR and  music of differernt mood  by RAVI .
enjoy in present...

Lovemaking

True lovemaking is a affair beyond body, passion is the force that defines the quality of love making- burning desires, boiling emotions, the breathe of the lovers, the uncontrollable heart beats,the burning lips, hallucinated ayes and lastly the way bodies collide in passion.

The physical relationship is only a tip of the iceberg, the real relationship is soul sexing.

The western people think materialistic and they take sex too in a materialistic way.  They do not see any harm in paid sex and so they legalized prostitution. They call them sex workers, so as a worker they are providing services. They have brothels listed on stock exchange. They have sex vans on highways providing services on the way.

There are many, so called liberal people in India who want India to make sex work legal.  Their logic is, even if its not legal, prostitution is there, and these prostitutes living in unhygienic conditions and low paid, if it becomes legal they can earn well like their western counterparts. Sounds good logic, but that widens a door for making woman a subject of sex in already polluted thought of the society further without any respect for her. I am personally against any kind of paid sex. West or East, any part of the world prostitution is blot on human face, the act that belittles human dignity.  It is an undignified act from both the sides- consumer and service provider. Only thing worse than paid sex is rape which I feel is an unforgivable crime.  Sex is a nature’s precious gift for propagating own species, without emotions and respect for sex partner, sex is empty act, a mechanical pleasure exercise.                   

There are few songs that can capture the love making beyond physical body.  Today ma bringing that kind of song, though I am not happy with the picturization of the song. but the song is classic and having a feel of soul sexing.

In pyasa by Guru Dutt, the scene in the song- aaj sajan mohe ang laga lo,

 Gulabo (Waheeda Rahman) and Vijay (Guru Dutt) are on the roof the way Gulabo feels to touch the Vijay`s body, is beyond ordinary feel of desire to hug, They are standing at a distance, her soul is touching her love but it seemed her body is demanding its share.

Anyway, too much heavy talk before a song.

Today`s song is from movie kartaya starring Dharmendra and Rekha- Doori  na rahe na koi aaj itney kareeb ayo .

The enigmatic voice of Lata, the music by Laxmi Pyare... superb, and main thing is the lyrics by little known Kafil Azaar. In totality a sensibly chiseled and crafted GEM- the song is.

OOOOooOOOOoooOoooOOOOOO

OOOOO OoooOoooOOOOOO

doori

doori na rahe koi

aaj itne kareeb aaoo

doori na rahe koi

aaj itne kareeb aaoo

main tum mein samaa jaaun

tum mujh mein samaa jaao

main tum mein sama jaaun

tum mujh mein samaa jaao

doori na rahe koi

aaj itne kareeb aaoo

main tum mein sama jaaun

tum mujh mein samaa jaao

saanson ki haraarat se

tanhaai pighal jaaye

jalte hue hoothon ka

armaan nikal jaaye

saason ki hararat se

tanhaai pighal jaaye

jalte hue hoothon ka

armaan nikal jaaye

armaan nikal jaaye

chaahat ki ghaata ban kar

yoon mujhpe baras jaao

main tum mein samaa jaaun

tum mujhe mein samaa jaao

main tum mein samaa jaaun

tum mujhe mein samaa jaao

yeh baat na thi ab se pahle

kabhi jeene mein

yeh baat na thi ab se pahle

kabhi jeene mein

dil ban ke dhadkte ho

tumhi mere seene mein

Kabhi saath na chodoge

tum meri kasam khaao

main tumein sama jaaun

tum mujhe mein sama jaao

doori na rahe koi

aaj itne kareeb aaoo

main tumein sama jaaun

tum mujhe mein sama jaao

main tumein samaa jaun

tum mujhe mein samaa jaao

After a long hiatus returning back on musical track, no new song stimulated me to write. I haven`t felt urge to listen music.

 My earphones remained idle for almost four months. I listened sometimes in between but was not able to relish the tunes.

 Perhaps searching for some song that could put me again on track of interest.

While travelling, one old   bhoola bisra song echoed in my mind- le chal mere jivan saathi le chal pyar hi pyar ho jahan. Voice of Mukesh and Hemlata is soothing, lyric is simple.

Everything is ordinary; still the song has the power to fire the imagination, to think about world of love.

While the man in the song searches for perfect world but the lady in the song conveys the thought that togetherness is important that makes any place lovable.

 I love the way mukesh say le chal...

ले चल ले चल मेरे जीवन साथी

ले चल मुझे उस दुनियाँ में, प्यार ही प्यार हैं जहाँ

हम तुम हम तुम जन्मों के साथी

हम तुम हो जिस दुनियाँ में, प्यार ही प्यार हैं वहा

जब से नज़र में आप बसे हैं, मस्ती सी छाई हैं आँखों में

छाई रही हैं ये मस्ती, बस जाये दिल की बस्ती

महकी रहे वादियाँ ...

प्रीत का बंधन बाँध के तुम ने,प्रीत पे ही उपकार किया हैं

अब ये बंधन ना टूटे, युग युग ये साथ ना छूटे

चलता रहे यूँ कारवाँ ...